g&l asat, fuzzed and looped

Recorded another bit of improvising yesterday, this time with my G&L ASAT, which is Leo Fender’s post-Fender Telecaster. The signal path here is guitar > Shoctopus (custom octave-down fuzz) > Strymon Timeline > Strymon BlueSky reverb > Vox Night Train amp. The first section relies on the Timeline’s Lofi mode to get that honky grind, and the second section uses the Shoctapus.

I’ve reached the point now on the guitar where that what I can hear in my head and I want to do is just out of my reach to make it frustrating. When I started playing nineteen months ago, I might listen to something I like, or have a tune or sound in my head, and it may have well have been made my martians cause I had no idea what they were doing or how to get to that sound. However now I can hear this stuff in my ears or head and it often seems right there, but my technical abilities aren’t there. In many cases, not even close. It’s both frustrating and inspiring at the same time…

jazzmaster, delayed and crinkled

I’ve been listening to a lot of stuff from the Soundcloud feed of Kirk Markarian, known as Deuterostome. He records using various tape recorders and is perfectly happy to make use of the imperfections in the tape speed and saturation.

I spent a few hours with my blue CiJ Jazzmaster on Friday night, late after everyone here had gone to bed. I decided to see what I could do with my Strymon Timeline in dTape mode and the vibrato setting on my Clone Theory chorus pedal. The complete chain is guitar > Clone Theory > Timeline > BlueSky > Boss RC-3 > Night Train. This 8:49 here is edited down from about a half hour of recording using a Zoom H4N sitting next to my Vox Night Train head and Egnater cabinet.

The Clone Theory is a hell of a noisy pedal, and this is exacerbated by the delay and reverb. I suppose, it actually adds to the effect I was looking for in this case, but I’m still pretty certain that it’s going to get replaced this week by, hm, maybe a Strymom Ola?
I’d also like to see how to push this further, this sound. The Strymon ElCapistan does a nice job, but with the Timeline it’s hard to justify that. My favorite guitar shop down the street is expecting to get the ZVex Instant Low-Fi Junkie soon. Or maybe I’ll just do it right and find my old tape recorder down in the basement…

curly noodles


The music room in my house is currently in flux. I’ve realized that I have an ongoing frustration with the fact that when I want to do something more than merely play the guitar through the amp or poke around on the modular synth, it usually takes as long to set up the audio path as I actually have time in the studio. So I’m unplugging cables, replugging cables, setting up series of stompboxes, unraveling wires, and so on. And I’m sure that it’s related that when I get all this ready to go and sit down with the headphones on it takes another ten minutes to figure out why I’m not hearing anything (it’s usually because the audio in the MOTU Ultralite is being routed to the main outs rather than the headphone outs, or else the channel I’m using is muted).
So in hopes of fixing this and making it all a bit more fun and efficient, I’ve spent some time this last few weeks learning about things like mixers and patchbays. I recently ordered, and received this afternoon, a Mackie 1220i mixer, and an acquaintance gave me a 48-point patchbay as well as a wad of patch cables. I’ve diagrammed it all out and when I imagine being able to plug in anything to anything and inserting effects into any path, the possibilities really start getting interesting. Due to real life issues and deadlines, I’ll not get to test this theory and put it all together for about a month. But I’ll document this work and write a post or two about the process and results.
On a related note, while looking for mixers and patchbays I came across a used Zoom H4n digital recorder. This is a giant leap of an upgrade from the M-Audio Microtrack I currently use for recording duties. This beast deserves its own post, which I’ll get to at some point. The night before it arrived, however, I decided to bid good riddance to the Microtrack (it’s for sale if anyone is interested) and record some playing around with the guitar and some pedals through my Vox Night Train amp. The path here is G&L ASAT Classic -> MXR Tremolo -> Teese RMC3fl Wah pedal -> Strymon Timeline -> Strymon Blue Sky -> amp. The Multitrack sits in front of the cabinet (a 1×12 Egnater) and as you can tell picks up every bit of hum my system creates.

I’m just noodling here and mainly playing with the reverse mode and looping on the Timeline.