everything goes in your ear

While this music thing is a hobby in the strictest possible sense, I rationalize a lot of it by telling myself that I obsess over synthesizers and amps and guitars and effects pedals for the purpose of creating soundtracks. This is far more reasonable to me than imagining playing on stage and driving around the Mid-Atlantic in a van.
Every now and then I actually put this logic to use and make a soundtrack. My picture book, Everything Goes: In the Air, will be out in about three weeks and to that end I’m ramping up the publicity and teasers leading up to publication in September. I put together a video promo for the book.

In the past, most of my soundtracks have been created with various synths, either the modular or software. In this case, I use a guitar. While I have two really nice guitars and gear at the house, this soundtrack had to be done rather quickly yesterday afternoon. So I took the cheap Squier Stratocaster that I have here at the studio and plugged it in directly to Ableton Live via an audio interface. I used Ableton’s Amp and Cabinet effects to get the sound I was looking for, and added some EQ-8, compression via AD’s Rough Rider, and Uhbik A for slight reverb on a return channel. The percussion is made up of samples from a goofy little Casio keyboard I found years ago at a garage sale and sequenced in Ableton’s Impulse.

While on vacation in Maine last week, I spent a lot of time listening to Luna’s 1994 album “Bewitched,” and the influence is, to me, definitely there. I’m rather surprised that it sounds a lot like Vampire Weekend as well.