Posts Tagged ‘modular’

uLFO

Wednesday, March 3rd, 2010

Got a couple of new modules this week. The MFB Dual ADSR will replace the Doepfer A140. It’s got two ADSR envelopes, each with a “hold” state as well as the expected attack, decay, sustain and release. The envelopes can be triggered individually or together, and they each have two outputs. This is all great.
The Bubblesound uLFO is at its heart, as its name suggests, a low frequency oscillator. But it’s more than just that. It can go really really slow — something like 20 minutes per cycle — and it can be tracked at 1v per octave at audio rate, which basically makes it a secondary VCO. I’ve been wanting to learn more about FM synthesis and this is my first module that has a linear FM input. Both of my VCOs, Doepfer A110’s, only have exponential FM (at some soon point I plan to replace the 110s with a Cwejman VCO6 and a Harvestman Hertz Donut but they’re hard to come by right now).

uLFO and MFB dual ADSR

One funny thing about the uLFO. On Monday I noticed that the response of the SIne Shaped output seemed odd. This is a unique feature of the uLFO. It’s got a regular sine output but it’s also got a “shaped” sine, which basically creates what the Bubblesound website calls positive/negative biased non-linear triangles. The wave forms look like waves as drawn by a kid on one side, and bumps or the McDonalds logo on the other. However, I noticed that the shapes it created were the opposite from the icons indicated on the panel of the uLFO. I made a little movie to send to send to Bubblesound to make sure that I was hearing it right.

I posted this to the Muffwiggler forum, which got mixed replies. To make sure I wasn’t going nutty I ran the waves through my CueMix oscilloscope which proved that yes, I was hearing it correctly. Later, David at Bubblesound wrote and confirmed my observation. Regardless of this little quirk, this is a terrific module and I look forward to posting more here from the uLFO.

Popularity: 7% [?]

i got a sequencer

Wednesday, February 17th, 2010

I have sequencers running out my ears on my computer. I regularly use Numerology, Reaktor, Ableton and Volta to sequence soft synths and, lately, my modular via midi. However, a good part of the reason I’ve become sort of kind of obsessed with this modular business is the tactile control of buttons, switches and knobs.
To that end, I added a sequencer in the form of the MFB Seq02 last week. This thing is incredibly versatile for such a small thing. It can run twelve separate CV sequences of up to 32 steps each, or six CV and six trigger/gates. It’s got its own clock and it can be controlled by an outside clock as well.

I’ve not had much time this week to work with this thing, but today I set up a simple four note repeating sequence and just started patching. These are variations using pretty much the same four note patterns. Each track on the Seq02 can have one of either an A or B 8-step sequence, or both in a row. A three-way switch chooses which mode. So I just made two different four-note sequences, started the sequencer, and switched back and forth.

The sounds are coming from the A110 VCOs in various waveforms, and filtered at different times with the Model 12, the A120 VCF, and the A101-2 Low Pass Gate. The A101-2 is the thing that creates the plucky acoustic sounds. When you hear it you’ll know. I used MOTU’s Volta to send various trigger and step-sequences to both the Seq02 as a clock, and other modules for various modulations. I sometimes wanted various numbers of steps, where the Seq02 only allows one to choose steps on a global level. Meaning if I want one sequence of triggers to be four steps and another to be seven, I have to rely on the software.
The delay was added in Ableton because it sounds nice.

sequencing with a sequencer by dance robot dance

a little sequencing?

Popularity: 40% [?]

model 10 tweaks

Tuesday, February 2nd, 2010

I keep the “record” button close by when I’m working with the modular. I don’t really know yet exactly what I’m doing and I never know when something surprising and great will get spit out. These two files are cases in point.
They’re both caused, for lack of a better word, by the Plan B model 10 Polyphonic Envelope. The first one is using the m10’s End of Attack output to send a second trigger to the envelope that is opening the VCA. Because the rise, or attack of the envelope is quicker than the release, it gives it this little swinging feel.

shuffling m10 by dance robot dance

The second one here happened when I was cross-modulating the frequency of the sine output on an A110 oscillator with a LFO as well as the model 10. The LFO was, I believe, sending the triangle wave out, and I was fidgeting about with the ‘fall’ knob on the model 10, as well as a little bit with the time base. It caused some great bubbling.

020110 m10 by dance robot dance

I’m trying to take time to explore each of the modules I have one by one and really understand what it is that they do. I suspect I’ll have more module-centric posts here coming along. I just bought a couple more pieces — a voltage controlled switch, a low pass gate, and a sequencer — as well as a larger case, so… lots to play with.

Popularity: 36% [?]