Posts Tagged ‘plan b’

donut and noisering and machinedrum

Friday, August 6th, 2010

nightlife

This is basically part 3 in the series of doing stuff with the Noisering, the Hertz Donut, and the Plan B low pass gate. Go back and listen to that which is posted on 3 August and 5 August. This patch is essentially the same. The Noisering sends its random CV to the Hertz Donut, attenuated slightly. The Donut is in “Good” mode, and is connected to the Plan B Model 13 in “both” mode. The signal from the Donut is also attenuated somewhat, as it’s really easy to completely overdrive the Model 13. The envelope for the M13 is provided by Maths. Now the difference here is that the triggers for the whole thing are coming from a Machinedrum. The Machinedrum has a machine called GND IMP which is just a trigger pulse made for things like pre-MIDI drum machines and analog synths. I can sequence these triggers just like any other drum or sound on the MD. I have the track routed through external output F to the CLK IN of the Noisering. That triggers the random CV of the Noisering, and also sends through the clock out the trigger for the Maths envelope.

Now the interesting part here is in the first half of this track. You can hear kind of a little double trigger on each note. I couldn’t figure out what was going on here, thinking it was something happening with the Maths. But then realizing that the notes were changing between each of the little triggers on each beat, meaning that the Noisering was getting two triggers, I realized that the event was taking place on the Machinedrum, not the modular. I noticed that I had the wrong machine chosen for the Machinedrum. It was set to a ROM machine, which is meant for playing back samples, and not the IMP impulse machine. I don’t know — and I wish I’d checked — what the ROM machine was playing. I’m assuming that it had two distinct peaks, whatever it was, which created two triggers. In any case, it sounds great. Like it’s got this funky little swing going. At 1:04 you can hear it change back to single triggers as I swapped the machines out.

The track loops a lot with most of the change coming from the notes played by the Noisering. But closer to the end I’m punching in random steps on the Machinedrum’s sequencer, keeping everything quantized to 16th notes. (In case you want to try this at home, I’m using generic 1/4″ to 1/8″ mono cables I bought at Radio Shack for $5.99. Don’t forget to set the routing for whatever track you’re using for triggers to one of the four external outputs rather than the main output…)

i’ll have the donut, noisering, and a side of machinedrum please by dance robot dance

this bird has issues

Wednesday, April 28th, 2010

I was reading the other day on Stretta’s website that people often complain that music from modulars, at least that on YouTube and the like is too blippy-beepy-boopy and not actually “melodic” or something like that. I realized that I am almost always attempting to make something normal out of that which pours forth from my modular. SO in response I just set up a patch using the Plan B Model 10′s cycle input as the heart and pressed ‘record.’ This is one the more favoriter things I’ve eeked out of this machine.

Dance to it, kids.

your brain on modular by dance robot dance

in one ear…

Monday, April 26th, 2010

Pulled an hour out of thin air tonight to play with the synth. Played with two separate voices on the same sequence, triggered by Volta in Ableton Live. On the left is that nice acoustical pluck from the Plan B Model 13 that I like so much. On the right is a low saw from the VCO-6 through the Model 12 in low pass mode.

100427 leftright by dance robot dance

chirping burping bleating

Thursday, March 4th, 2010

Playing with the model 10 and the new uLFO. Things get fun, as they seem to do quite often, with the sequencer gets to play.

model 10 tweaks

Tuesday, February 2nd, 2010

I keep the “record” button close by when I’m working with the modular. I don’t really know yet exactly what I’m doing and I never know when something surprising and great will get spit out. These two files are cases in point.
They’re both caused, for lack of a better word, by the Plan B model 10 Polyphonic Envelope. The first one is using the m10′s End of Attack output to send a second trigger to the envelope that is opening the VCA. Because the rise, or attack of the envelope is quicker than the release, it gives it this little swinging feel.

shuffling m10 by dance robot dance

The second one here happened when I was cross-modulating the frequency of the sine output on an A110 oscillator with a LFO as well as the model 10. The LFO was, I believe, sending the triangle wave out, and I was fidgeting about with the ‘fall’ knob on the model 10, as well as a little bit with the time base. It caused some great bubbling.

020110 m10 by dance robot dance

I’m trying to take time to explore each of the modules I have one by one and really understand what it is that they do. I suspect I’ll have more module-centric posts here coming along. I just bought a couple more pieces — a voltage controlled switch, a low pass gate, and a sequencer — as well as a larger case, so… lots to play with.


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