The music room in my house is currently in flux. I’ve realized that I have an ongoing frustration with the fact that when I want to do something more than merely play the guitar through the amp or poke around on the modular synth, it usually takes as long to set up the audio path as I actually have time in the studio. So I’m unplugging cables, replugging cables, setting up series of stompboxes, unraveling wires, and so on. And I’m sure that it’s related that when I get all this ready to go and sit down with the headphones on it takes another ten minutes to figure out why I’m not hearing anything (it’s usually because the audio in the MOTU Ultralite is being routed to the main outs rather than the headphone outs, or else the channel I’m using is muted).
So in hopes of fixing this and making it all a bit more fun and efficient, I’ve spent some time this last few weeks learning about things like mixers and patchbays. I recently ordered, and received this afternoon, a Mackie 1220i mixer, and an acquaintance gave me a 48-point patchbay as well as a wad of patch cables. I’ve diagrammed it all out and when I imagine being able to plug in anything to anything and inserting effects into any path, the possibilities really start getting interesting. Due to real life issues and deadlines, I’ll not get to test this theory and put it all together for about a month. But I’ll document this work and write a post or two about the process and results.
On a related note, while looking for mixers and patchbays I came across a used Zoom H4n digital recorder. This is a giant leap of an upgrade from the M-Audio Microtrack I currently use for recording duties. This beast deserves its own post, which I’ll get to at some point. The night before it arrived, however, I decided to bid good riddance to the Microtrack (it’s for sale if anyone is interested) and record some playing around with the guitar and some pedals through my Vox Night Train amp. The path here is G&L ASAT Classic -> MXR Tremolo -> Teese RMC3fl Wah pedal -> Strymon Timeline -> Strymon Blue Sky -> amp. The Multitrack sits in front of the cabinet (a 1×12 Egnater) and as you can tell picks up every bit of hum my system creates.
I’m just noodling here and mainly playing with the reverse mode and looping on the Timeline.